Multiple Production Companies to Boycott Georgia Film Productions Over New Abortion Law

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Several production companies have come forward in the last few days to announce that they will no longer produce films in Georgia as long as the state’s new abortion law stands. The law, referred to by legislators as a “fetal heartbeat bill,” would make it illegal for Georgia women to get an abortion after the fifth or sixth week of their pregnancy. This would criminalize the vast majority of abortions in the state, as many women don’t even find out they’re pregnant until after that cutoff point.

Among the first producers to come out against the bill was David Simon, creator of The Wire. Simon announced on Wednesday that his production company Blown Deadline Productions wouldn’t film anything in the state as long as the bill is in effect.

He later tweeted, “Our comparative assessments of locations for upcoming development will pull Georgia off the list until we can be assured the health options and civil liberties of our female colleagues are unimpaired.”

Mark Duplass also announced that his Duplass Brothers Productions would halt all production in Georgia, and he called on others to do the same.

Multiple other companies have since joined the boycott, including CounterNarrative Films and Christine Vachon’s Killer Films, which has produced Oscar winners like Boys Don’t Cry and Carol.

Several actors have also come out against the legislation. Busy Phillips spoke about her own experience with abortion on her show Busy Tonight and condemned the legislation for stripping away women’s rights. Alyssa Milano also submitted a letter to Gov. Brian Kemp before the law was passed that read in part, “We want to stay in Georgia. We want to continue to support the wonderful people, businesses, and communities we have come to love in the Peach State. But we will not do so silently, and we will do everything in our power to move the industry to a safer state for women if H.B. 481 becomes law.” The letter was signed by more than 50 other high-profile actors, including Don Cheadle, Sarah Silverman, Mia Farrow and Alec Baldwin. Milano has already confirmed to BuzzFeed News that she will honor the pledge now that the legislation has been passed.

While most of the response to these actions from the pro-choice community has been positive, many have raised concerns over the effect this potential boycott could have on those working in the Georgia film industry. Simon responded to one such criticism by saying he was acting only out of responsibility for the people he employs, not out of advocacy for the Georgia film industry. Others, like Duplass, have tried to open a dialogue about how best to serve those in the film industry while still sending a clear message that this kind of legislation will not be tolerated. Duplass compared the potential boycott to supporting unions during a strike, admitting that “it can really suck in the short term for a potentially greater, long-term good.”

The Georgia film industry has grown considerably in the last few years, due in large part to a 20% tax credit for productions in the state. Kemp said this year that it employs about 200,000 Georgians and brings in billions of dollars in revenue to the state each year. It’s possible these financial incentives will be enough to keep bringing productions to the state regardless of the boycott, in which case these companies wouldn’t be contributing to too much of a net loss in jobs for the state by speaking out.

Either way, if the bill is overturned, it will likely happen in the judicial arena. Several other states have proposed similar legislation that’s been deemed unconstitutional because it violates the decision in Roe v. Wade. The ACLU and Center for Reproductive Rights have also vowed to fight the legislation wherever they can.

Meanwhile, Georgia is the fourth state to pass this kind of legislation in 2019, along with Ohio, Mississippi and Kentucky. Those states have become just as dangerous for women as Georgia has, and they don’t have a tax credit that makes big Hollywood names pay attention. Kentucky’s heartbeat bill has been temporarily blocked in court, but Ohio and Mississippi’s bills are set to go into effect on July 1, even sooner than Georgia’s, so every voice matters in the meantime.

Florida Legislature Approves Bill Diverting Education Funds to Private School Vouchers While Public Schools Crumble

Originally published on Paste magazine.

The Florida House of Representatives has voted 76-39 to approve a bill that would divert $130 million in tax revenue to funding tuition vouchers for private schools. The bill is now on its way to the desk of Gov. Ron DeSantis to be signed into law. Meanwhile, the state has 2.8 million students enrolled in a public school system that’s becoming more overcrowded and underfunded by the day.

The new “Family Empowerment Scholarship Program” would raise the annual income limit for voucher eligibility from $66,950 to $77,250, and would approve the 13,000 children currently on a waiting list to receive vouchers.

Proponents of the bill believe it will increase school choice and help children from the state’s poorest families attend private schools. But the policy behind this bill ignores the real problems at the core of Florida’s education system. The state ranks close to the bottom of the list in terms of teacher salaries and spending per student, despite having one of the largest education budgets in the country. Public schools around the state are in need of basic things like air conditioners and school supplies that the $130 million now earmarked for vouchers could easily cover. Florida parents also have more choice in schools than in most states, with publicly funded charter schools or magnet schools accounting for more than half a million students in the school system.

A similar bill was championed by Gov. Jeb Bush back in 2006, but was ruled unconstitutional by the state’s Supreme Court at the time. The court found that the legislation violated the Florida constitution’s stipulation that the state provide a “uniform, efficient, safe, secure and high-quality system of free public schools.” However, since the election of Republican Gov. DeSantis last year, the state’s Supreme Court has been stacked with three more conservative judges, and the legislature appears confident that any legal challenges mounted against the bill will now be dead on arrival.

The implication here is that education is a privilege based on wealth and performance, and not a right for all children as public schools believe, and that the state investing in a few tuition vouchers makes it all okay. Many Florida families will never be able to afford to send their kids to private schools, no matter how much money the state throws at them, and with the passage of this bill, the legislature has signaled that those kids’ education means less to them than those who can pay.

Joe Biden Says He Regrets Treatment of Anita Hill in 1991 Hearings

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Former Vice President Joe Biden spoke openly of his role in the 1991 Clarence Thomas confirmation hearings, saying that he regrets not giving Anita Hill “the hearing she deserved.” The 2020 presidential prospect made the remarks at a New York City event hosted by the Biden Foundation and It’s On Us on Tuesday night that was meant to honor young people who help combat sexual assault on college campuses.

Biden lamented the “white man’s culture” that still persists today and that sought to undermine Hill’s credibility when she testified before the Senate Judiciary Committee almost 30 years ago. “The hearing she deserved was a hearing where she was respected, where the tone of the questioning was not hostile and insulting, where the fact that she stepped forward was recognized as an act of courage in and of itself,” Biden said. “I wish I could’ve done something.”

Biden’s role in the 1991 hearings, which he oversaw as Senate Judiciary Committee chairman, represents one of the biggest challenges to his potential candidacy for president in 2020, which is widely rumored but still unconfirmed. He has been criticized for contributing to the hostile and prejudiced environment that the committee imposed upon Hill during the hearings, particularly since the confirmation of Brett Kavanaugh to the Supreme Court.

Though still officially undeclared, Biden sits neck-and-neck with Sen. Bernie Sanders at the front of the ever-growing pack of Democratic primary candidates in most early polls. A recent Emerson College poll of Iowa voters had Biden leading the Democratic field with 25 percent of the vote to Bernie’s 24 percent, while an Emerson poll of Wisconsin voters had Sanders at 39 percent to Biden’s 24 percent.

If and when Biden decides to enter the race, he will have a lot to answer for from the left wing of the Democratic Party, even on top of his role in the Hill hearings. He has recently been criticized for his rhetoric surrounding the 1994 Crime Bill, as well as some resurfaced remarks from 1975 in which he argued that integrating schools was a rejection of the “whole movement of black pride.”

Biden’s remarks on Tuesday night signal how he might choose to confront some of those issues on the campaign trail, as does the rumor that he’s considering naming star Georgia progressive Stacey Abrams as his running mate. It’s unclear how such a move might affect Biden’s candidacy on a more substantive policy level, as Abrams generally sits much farther left than Biden on issues of criminal justice reform and voting rights. But it’s important to note that Biden’s central defense so far has been to point back to these specific, very public moments and lament his inability to do more, when in reality he had all the power and opportunity in the world to act—he just chose not to. This is another of those big public moments, and the way he chooses to approach it will determine both how his candidacy and political legacy will be remembered for years to come.

What Does Yesterday’s No-Confidence Vote Mean For Brexit?

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British Prime Minister Theresa May survived a vote of no-confidence on Wednesday after suffering the worst parliamentary defeat in modern history over her Brexit proposal earlier this week.

May remained in control by 325 votes to 306. All 314 Tory MPs supported her government, along with the 10 elected members of Northern Ireland’s Democratic Unionist Party, which has been propping up the Conservative Party in Parliament since 2017.

May already survived one motion of no-confidence in December, and she appears to be on even thinner ice after this latest challenge. Tuesday’s vote saw Parliament strike down her plan for withdrawal from the European Union by a resounding 432 votes to 202. Meanwhile, the March 29 deadline for the U.K.’s exit draws ever closer.

Regardless of who occupies 10 Downing Street, Tuesday’s vote effectively brings Brexit negotiations back to square one, and the legislature appears to have only become more divided. The Remain and Leave camps are no longer identifiable by party line, and those 432 MPs who voted against the plan did so for vastly different reasons. A full 118 of them were from May’s own party. Each faction seems to have dug in on its position rather than moving towards compromise. As May herself said after Tuesday’s results came in, “It is clear that the House does not support this deal. But tonight’s vote tells us nothing about what it does support. Nothing about how or even if it intends to honor the decision the British people took in a referendum Parliament decided to hold.”

Meanwhile, important figures on the other side of the table are losing any hope they had for an effective Brexit. Donald Tusk, the President of the European Council, hinted in a Tuesday night tweet that Brexit should be abandoned altogether. “If a deal is impossible, and no one wants no deal, then who will finally have the courage to say what the only positive solution is?”

What does he mean by “no deal?” Well, those are the stakes here. If Parliament fails to agree on a Brexit deal in the ten weeks they have left to do so, the U.K. will break out of the European Union with no structure in place to deal with the fallout. This would send everything from air travel to prescription drug access into turmoil.

As Tusk said, most members of Parliament hope to avoid a no-deal Brexit at all costs, and they still have several legal options for doing so. They can agree on a new plan. They can ask the E.U. for an extension. Or they can hold a second referendum on Brexit and maybe reject the idea entirely, while leaving open the possibility of renewed support.

However, there are also those in Parliament who actually believe this is the right way to go. Some feel it’s the only course left to them. Others are more prone to theatrics, like hardcore Brexiteer Jacob Rees-Mogg, who intends to break all ties with the E.U. and potentially bring the British economy down with the ship.

The threat of a no-deal Brexit represents a serious test of the fortitude of the U.K. government — not just for May’s camp, but for the system as a whole. Now that she has survived this latest hurdle, May has until Monday to put forward an alternative plan, and the odds of Parliament agreeing appear incredibly slim.

Alexandria Ocasio-Cortez Secures Prime Committee Spot, Proves That Grassroots Power Matters

Originally published on

Rep. Alexandria Ocasio-Cortez has secured a seat on the powerful House Financial Services Committee, which oversees Wall Street, the Federal Reserve, and the Securities and Exchange Commission.

Ocasio-Cortez took to Twitter to confirm the news Tuesday night with a message reading, “Financial Services is one of just four exclusive committees in the House. It oversees big banks, lending, and the financial sector. I am very grateful for the opportunity to sit on this committee as a freshman, and look forward to working under the leadership of @RepMaxineWaters!”

It is exceedingly rare for first-year members of Congress to be placed on House committees as powerful as the Financial Services Committee. The appointment represents a vote of confidence from party leadership after Ocasio-Cortez was left off the House Ways and Means Committee, which oversees economic policy issues like taxes and spending.

The Financial Services Committee is one of the most government’s most powerful regulating bodies when it comes to Wall Street. It played a key role in the formation of the historic Dodd-Frank legislation that aimed to secure the country’s financial sector after the crash in 2008.

Ocasio-Cortez’s appointment makes her one of the most left-leaning committee members when it comes to economic policy and Wall Street. She ran her 2018 campaign without the help of corporate donors, and made breaking up big banks a central point in her platform along with sweeping economic reforms like the Green New Deal.

As for her goals for the committee, Bloomberg reports that Ocasio-Cortez is expected to advocate increased scrutiny of large financial firms. She also outlined a few more issues she intends to tackle in another tweet Tuesday night, saying, “Personally, I’m looking forward to digging into the student loan crisis, examining for-profit prisons/ICE detention, and exploring the development of public & postal banking. To start.”

Alexander McQueen, M.I.A. films added to 2018 Hot Docs line-up

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Canadian documentary festival Hot Docs has added 17 additional special presentations.

They include McQueen, Ian Bonhôte’s documentary about fashion designer Alexander McQueen, and Steve Loveridge’s MATANGA / MAYA / M.I.A. (pictured), the Sundance world premiere about British rapper and record producer M.I.A. that has been picked up for the UK by Dogwoof.

Other highlights in the programme include Liz Garbus’s The Fourth Estate, a look into how The New York Times covered the first year of the Trump presidency, and Mercury 13, the story of NASA’s first female astronaut training programme.

The full selection from Hot Docs, which runs from April 26-May 6 in Toronto, will be announced on March 20, including the remainder of the special presentation titles and the opening night film.

Full list of new special presentations

All synopses provided by Hot Docs.

Dir. Jack Bryan
Dive deep into one of the most deft espionage operations in history. Featuring exclusive interviews with Hillary Clinton, John McCain and more, this explosive film uncovers Trump-Putin ties dating back to the ’70s and Soviet-style information warfare tactics used to affect the 2016 US presidential election.
World premiere

Dir. Adam Bhala Lough
Trigger warning: everything. Set against the horrific violence of the 2017 Charlottesville riots, alt-right leader Richard Spencer squares off against antifa activist Daryle Lamont Jenkins in this provocative look inside the two movements boiling over in America.
Canadian premiere

Dirs. Steve Jones, Todd Jones
Three-time world surfing champion Andy Irons chased perfect pipe on the waves but dark demons on shore. Breathtaking cinematography captures the gorgeously wild star, but as mental illness troubles the waters, a heartbreaking tragedy unfolds.
World premiere

Dir. Daniel J. Clark
A rapidly rising number of people are convinced that the Earth is flat. Follow the leaders behind this conspiracy theory du jour as they rally to spread their message, challenge scientific proofs and flatten the globe once and for all.
World premiere

Dir. Richard Rowley
Oscar-nominated director Richard Rowley offers a searing examination of the police killing of Laquan McDonald, tracing the conspiracy of silence that extended up to the Chicago mayor’s office and revealing the journalists, activists and lawyers whose perseverance exposed the truth.
World premiere

Dir. Liz Garbus
Granted unprecedented access and interviews with editors and reporters on the front lines, Emmy-winning and Oscar®-nominated filmmaker Liz Garbus’ The Fourth Estate follows the inner workings of The New York Times, revealing the challenges, triumphs and pitfalls of covering a president who has declared war on the free press.
International premiere

Dir. Louie Psihoyos
Oscar-winner Louie Psihoyos’s (The Cove) explosive doc examines elite athletes’ dramatically improved strength and performance when they switch from animal- to plant-based diets, and upends antiquated notions of masculinity and virility along the way.
Canadian premiere

Dir. Steve Loveridge
Two decades’ worth of personal footage capture the complex evolution of M.I.A., the rapper and social justice activist whose outspoken rhymes tore up the charts, stoked political fires and captivated fans and critics worldwide.
Canadian premiere

Dir. Ian Bonhôte, Peter Ettedgui (co-director)
An intimate account of the life, career and artistry of legendary couturier, fashion maverick and creative genius Alexander McQueen, vividly brought to life via rare archival footage and revealing interviews with his inner circle.
International premiere

Dirs. David Sington, Heather Walsh
The pioneers enrolled in NASA’s first female astronaut training program finally open up about their top-secret testing, which pitted them against the established boys’ club of American astronauts of the 1950s.
International premiere

Dirs. Tommy Pallotta, Femke Wolting
With artificial intelligence potentially on track to surpass human capabilities within the next two decades, one filmmaker tests his own job security by building a robot to replace himself and discovers the truth of what’s really at stake.
International premiere

Dirs. Sam Pollard, Melissa Haizlip
Go backstage with the first all-Black variety show broadcast nationally on PBS, and meet its openly gay host, who was instrumental in ushering radical Black talent into American living rooms in the wake of the civil rights movement.
International premiere

Dirs. Yasemin Şamdereli
In frank and funny interviews, four couples from across the world, united under vastly different circumstances but each together for more than 50 years, reflect on their relationships and share their secrets for long-lasting love – for better or for worse.
International premiere

Dir. Maxim Pozdorovkin
In a horrifying and hilarious collage, the story of Donald Trump’s path to the presidency is told entirely through Russian propaganda, laying bare an empire of fake news and the cynical tactics of information warfare.
Canadian premiere

Dirs. Dana Nachman, Don Hardy
A litter of newborn Labrador puppies begins “basic training” to become service dogs for the blind – but who will make the cut? Their successes and failures are shared equally with the devoted caretakers who guide them on this rigorous two-year journey.
International premiere

Dir. Andrea Blaugrund Nevins
With sales at a historic low and women’s rights campaigns at fever pitch, Barbie is getting a radical makeover. Gloria Steinem, Roxane Gay, Mattel designers and others renegotiate the iconic doll’s place in a world that both loves and loves to hate her.
International premiere

Dirs. Dyana Winkler, Tina Brown
When America’s last roller rinks are threatened with closure, thousands pull together to save and celebrate the vibrant underground subculture that has provided a safe space for the Black community since before the civil rights movement.
International premiere

‘On Body And Soul’ wins top prize at 2018 Hungarian Film Awards

Originally published on

The 2018 Hungarian Film Awards were presented in Budapest this weekend, with Ildikó Enyedi’s On Body And Soul winning both best film and best director.

The Golden Bear-winner, which also earned a best foreign language film nomination at this year’s Oscars, won five awards in total.

It also took home best screenplay, best actress for Alexandra Borbély and best supporting actress for Réka Tenki.

The awards were handed out by the Hungarian Film Academy at the Vígszínház theatre in Budapest on 11 March.

The best actor award went to Péter Rudolf for his performance in 1945, a story of guilt and reckoning for Hungarian villagers at the end of the Holocaust.

István Znamenák won best supporting actor for Citizen, and the audience award for best feature film went to Kincsem — Bet on Revenge, a period drama by Gabor Herendi about a famous Hungarian racehorse.

The full list of winners are here.

Netflix takes North America, UK on Berlin Silver Bear winner ‘Dovlatov’

Originally published on

Dovlatov, which was well received at this year’s Berlin Film Festival and took home a Silver Bear for costume designer Elena Okopnaya, has sold into 23 territories.

Sales agent Alpha Violet has inked a significant deal with SVoD giant Netflix covering the US, UK, Canada, Australia, Ireland and Scandinavia.

It has also locked distribution in France (Paradis Films), Italy (Satine Film), Spain (Abordar), Portugal (Leopardo Filmes), Bulgaria (Artfest), Turkey (Bir Film), Taiwan (Joint Entertainment), Brazil (Imovision), Argentina (CDI), China (Times Vision), Greece (AMA Films), the Baltic region (Estin Films) and Romania (Bad Unicorn).

Previous deals were done for China (Times Vision), Greece (Ama Films) and Estonia and Latvia (Estin Film).

The film will have its release in Russia via Disney on March 1.

Directed by Russian filmmaker Alexey German Jr., Dovlatov covers six days in the life of influential Russian writer Sergei Dovlatov.

The film premiered to strong reviews in Berlin, with Screen’s critic describing it as ”an imaginatively realistic recreation of a bygone era of Russian culture.”

City of Boston Presents Artist Fellowship to Five Local Artists

It is a good year to be an emerging artist in Boston. As part of its ongoing Boston Creates program, the city has started an annual Artist Fellowship that awards $10,000 per person to five local artists working in a variety of media. The winners were chosen by a jury of local arts leaders from a pool of 304 applications submitted from all across the city.

This year’s recipients were announced on October 11 and included Roslindale trumpeter and composer Jason Palmer, documentary filmmaker and Boston University professor Mary Jane Doherty, Roxbury artist Michelle Fornabai, performance artist Marilyn Arsem, and Dariel Suarez, a Brighton-based author who is currently working on his second novel.

Suarez, age 34, thinks he heard about the Artist Fellowship from one of his fellow staff members at GrubStreet, a creative writing center located in downtown Boston. Suarez works there full-time planning writing courses and often picks up teaching gigs on the side to make ends meet and continue writing his own work. He is hoping that this award will allow him to take a step back from teaching and focus on his novel, which will deal with the intersection of political dissidence and art in his native Cuba.

“It’s a huge help because I’m a writer with a full-time job,” Suarez said. “This really reduces the amount of extra work that I would have to take on in order to focus on the actual writing. Otherwise I would have to claw and scrape to find time to write.”

One of the biggest goals of the Artist Fellowship was to make it accessible to as many people as possible, no matter their specific discipline or background. According to Julie Burros, Boston’s Chief of Arts and Culture and the main organizer of the fellowship, the application process was specifically designed to place each distinct genre of art on a level playing field and designate at least one grant for each discipline. In an effort to make the process more inclusive, applicants were only required to have lived in Boston for three years in order to be eligible for the award. The city also accepted applications in six different languages and allowed applicants who were not fluent in English to submit a video of themselves describing their work in their native language in place of a resumé.

Suarez, who immigrated to the United States from Cuba in 1997, is excited that the city is recognizing the talents of all of its inhabitants.

“I noticed there were different language options and there was a lot of focus on different neighborhoods in the city, and I think that’s really important moving forward because Boston has a lot more diversity than people think,” he said. “I’m really glad they’re putting the tools out there for people to get access to this kind of support.”

Unlike many grants of its kind, the Artist Fellowship is not specific to any particular project, but rather leaves it up to the artist to decide how they spend the money. Mary Jane Doherty, another recipient of the fellowship, is planning on using the funding to get a professional sound mix on a film she is working on about the Boston Children’s Choir. She feels that getting a professional sound mix is one of the largest barriers of entry for independent filmmakers, and the higher production value would allow her to get more exposure at festivals than she has for most of her thirty year career.

“No filmmaker can afford the equipment that you need for a mix, and most filmmakers are not engineers, so there are a lot of arcane things you have to deal with,” Doherty said. “I’m excited to use this for a project where sound is the storyteller.”

The framework of the fellowship is the result of years of careful planning by the city’s Office of Arts and Culture.

“We looked at the structures of several different kinds of fellowship grant programs and decided that we wanted to have as few strings attached as possible,” Chief Burros said. “In the end we’re not funding a project, we’re funding a person.”

The award’s only stipulation is that each artist is responsible for collaborating with the city on bringing their work to the people of Boston in some way.

“The idea for Boston is, ‘How can we support our artists, and how can they support us?’” Doherty said. “So there’s an expectation that you’ll take your work and find ways to engage with the public, particularly kids and young people.”

Dariel Suarez feels that the city’s loose approach to the award is a huge vote of confidence for struggling artists starting out in Boston. For many, this kind of fellowship program is a welcome change of pace from the typical world of arts funding that is so dominated by museums or big foundations like the National Endowment for the Arts. There are very few opportunities for emerging artists who are independent from those organizations to get funding. According to Burros, one of the foremost goals of the Artist Fellowship was to combat this problem and make funding accessible to talented creators in the city who are not necessarily attached to a big name foundation or museum.

“If you can prove your dedication to your art, I think it’s important for the city to say, ‘We want you to stay here, we want you to produce work here, and we want you to succeed as an artist,’” said Suarez. “And the way that we pay that back is by representing the city in our work.”

“There is almost no funding for individuals, and that’s often where the really cool things come from,” Mary Jane Doherty said. “The fact that you don’t have to prove your connection with another organization is a very rare gift.”

Burros says they have the funding to continue the fellowship for the foreseeable future, and they have no plans to stop. She hopes that the Artist Fellowship and other programs like it can encourage new artists to develop their craft here and show them that Boston will continue to support them for as long as they are making art.




You’re My Favorite Customer: the Coolidge Grapples with Midnight Screenings of The Room

Originally published on Vanyaland


The lights go off, the crowd roars, and the Wiseau Films logo appears on the screen. What follows is a 90 minute onslaught of gratuitous sex scenes, intoxicated 20-somethings yelling their favorite quotes in unison, and the offbeat delivery of eccentric star and director Tommy Wiseau. This is what happens when you attend a midnight showing of The Room, the 2003 cult classic that has been called “the best worst movie ever made.”

Brookline’s Coolidge Corner Theatre has been hosting these screenings since 2007. In those 10 years, the screenings have grown from tiny audiences to sold-out theaters packed with rowdy diehards. These days they seem to be more about the experience of viewing the film in a packed room than the actual film itself, with the most rabid followers often drowning out the dialogue with their call-and-response references and inside jokes. Audiences have also started a tradition of throwing hundreds of plastic spoons at the screen whenever a particular framed picture of a spoon appears in the background.

“The rowdiness is part of the charm. That’s why you go to The Room, for the craziness of it,” says Brookline resident Garrett Stevens, who attended the most recent screening of The Room last month. “It’s a communal thing I think more than any other moviegoing experience.”

But that fun, communal environment often causes problems for the Coolidge staff.

“I’ve always had to do introductions to let people know they’re watching a bad film, and also to set up our expectations for the audience’s behavior,” Coolidge After Midnite curator Mark Anastasio says.

According to Anastasio, it is not uncommon for the staff to be picking up plastic spoons and popcorn until 3:30 a.m. They have also had problems with people throwing footballs in the crowd, yelling inappropriate or sexist things during the film, and bringing drugs and alcohol into the theater.

“As a film programmer I shouldn’t be complaining about a film that reliably brings sold-out audiences,” Anastasio adds. “One sold-out screening of The Room can fund two or three weeks of films that only bring in 30 to 50 people.”

However, almost 10 years of increasingly raucous screenings combined with a deteriorating relationship with Wiseau led the Coolidge to stop showing the film last year. But the film suddenly began making headlines again when it was announced that James Franco and Seth Rogen would be releasing a screen adaptation of The Disaster Artist in December, based on a novel written by Room co-star Greg Sestero about the making of the film and his friendship with Wiseau.

Sestero is a longtime patron of the Coolidge and even witnessed his first midnight screening of the film at the Brookline cinema many years ago, so the theater decided to support him by resuming monthly screenings of The Room this summer. They also hope to host a full script read through of The Room with Sestero in December and have members of the audience read characters’ parts.

While the newfound attention brought by The Disaster Artist will only expand the film’s audience, the future of The Room at Coolidge Corner Theatre is uncertain. According to Anastasio, they will continue the screenings for at least a few months after the new film is released, but beyond that, they will need to have a serious discussion about how they can continue to accommodate the crowds that it brings. One thing is certain though: As long as The Room is showing, there will be hundreds of eager fans lining up outside the theater to throw spoons during the best worst movie ever made.